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THE DIRECTOR OF CBCIU DELIVERS THE KEYNOTE ADDRESS AT THE CORONATION LECTURE OF IKU BABA YEYE, HIM, OBA ABIMBOLA AKEEM OWOADE I

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THE DIRECTOR OF CBCIU DELIVERS THE KEYNOTE ADDRESS AT THE CORONATION LECTURE OF IKU BABA YEYE, HIM, OBA ABIMBOLA AKEEM OWOADE I

On Tuesday, April 1, 2025, I served as the Keynote Speaker at the Coronation Lecture/Colloquium in honour of Iku Baba Yeye, His Imperial Majesty, Oba Abimbola Akeem Owoade I, the New Alaafin of Oyo. The epoch-making event featured the Matriarch of History Profession in Africa, Prof. (Mrs.) Bolanle Awe as the Chairman of the Colloquium, with Emeritus Prof. Anthony Ijaduola Asiwaju, Asiwaju of Borderland & Borderland Studies in Africa and Prof. Akinkunmi Alao, an expert in Yoruba Legal History and Cultural Studies of the Department of History at Obafemi Awolowo University, Ile-Ife, as discussants.                    

Key dignitaries at the event included the Oyomesi;  the Royal Bishop and Emeritus Archbishop, Ayo Ladigbolu; Dr. Adekunle Ogunmola, the Chairman, Local Organising Committee for the Colloquium; the Distinguished Honourable Member representing Afijo, Oyo West, Oyo East and Atiba West Federal Constituency at the Nigeria Federal House of Representatives, Hon. Akeem Adeniyi Adeyemi (a.k.a. Skimeh); the Honourable Commissioner for Culture and Tourism in Oyo State, Hon. Wasiu Olatunbosun; the Vice-Chancellor of Atiba University, Prof. Sunday Olawale Okeniyi; the Rector of the Federal School of Surveying, Dr. (Mrs.) Dupe Nihinlola Olayinka; Dr. R.O. Garuba of Emmanuel Alayande University of Education; Hon. Olayiwola Agboola, Member of the Governing Council of Federal University of Lokoja; Prof. Olanrewaju Nasser, Former Vice-Chancellor of Ladoke Akintola University of Technology and Princess Folasade Adeyemi (a.k.a. Arewa Omooba Adeyemi III).

The Royal fathers at the event included HRM Oba Benjamin Alabi Olanite, the Onimeko of Imeko; HRM Oba John Oyetola Bolarinwa, Onigboho of Igboho and Oba Sakiru Adekola-Oyelere, Onifiditi of Fiditi, among others.  

Other participants included Prof. Seun Oladele, the Chief of Staff to the Alaafin; Rev. Dele Kolade; Mr. Rotimi Osuntola; the Secretary of the Local Organising Committee for the Coronation; Deaconess Funmilayo Ojoawo; the High Chiefs of Oyo and its environs, among others. The Master of Ceremonies was Mrs. Temitope Agboola of Atiba University Radio.  

EXCERPT FROM THE KEYNOTE ADDRESS DELIVERED AT THE ALAAFIN CORONATION COLLOQUIUM HELD ON APRIL 1, 2025 AT THE FEDERAL SCHOOL OF SURVEYING, OYO

The Place of the Alaafin Institution in Yoruba History, Culture and Politics: A Historical Exposition for the New Alaafin of Oyo Iku Baba Yeye, His Imperial Majesty, Oba Abimbola Akeem Owoade I

Owo l’Eko ni; Ara Oyo lo l’Oba

Lagos may have money; Royalty belongs to the Oyo People.

The above-quoted Yoruba adage is an apt and succinct description of the place of Alaafin of Oyo in Yoruba’s historical, cultural and political development. Indeed, Oyo and its rulers, the Alaafin, occupy a central place in Yoruba’s historical and cultural civilisations.

Preliminary Remarks

I am happy to serve as the Guest Speaker at this milestone and epoch-making ceremony. It is a milestone because it is difficult to witness the installation and coronation of an Alaafin. The immediate past Alaafin of Oyo, Oba Lamidi Olayiwola Atanda Adeyemi III, spent fifty-two years on the throne of his ancestors. His predecessor, Alaafin Siyanbola Ladigbolu, spent thirty-three years. For us to be partakers in the history of the coronation of Alaafin Abimbola Akeem Owoade taking place today, we should pour libation to Olodumare. May the king live long, and may Alaafin Tuntun, Oba Abimbola Akeem Owoade I, live longer than his predecessors and be in excellent health, too. This is an invitation to history. I welcome all of you to the coronation lecture and colloquium.

I must begin this presentation with due respect and obeisance to my former teachers and my academic mentors, who are now serving as discussants at this coronation colloquium. Professor Bolanle Awe, my mother, the matriarch of the history profession in Nigeria, whose contribution is yet to be surpassed. It may interest this audience to know that Prof. Bolanle Awe was born in 1933, twenty-eight years before my birth. This doyen of history, a former Commissioner in the old Oyo State and former Pro-chancellor of University of Nigeria, Nsukka, is a living titan. Mama turned 90 in 2023. May you continue to be there for us. All of us, either as direct students or teachers of history, have benefitted from your publications. Her magnum opus was her PhD thesis, The Rise of Ibadan as a Yoruba Power in the Nineteenth Century, which she completed in 1964 at the University of Oxford. As an undergraduate student in the then Department of History, University of Ife, I also read her publications with relish: The Ajele System: A Study of Ibadan Imperialism in the Nineteenth Century and The End of an Experiment: The Collapse of Ibadan Empire 1877-1893, both published in the Journal of Historical Society of Nigeria (1964).

I should also pay due respect to my father, Professor Anthony Ijaola Asiwaju. Our Emeritus Professor was born in 1939 in the celestial city of Imeko. Prof. A.I. Asiwaju is living true to his name. He is the Asiwaju of African Studies – an expert in Borderland and the doyen of Boundary and Borderlands Studies in Africa. Unparalleled and incomparable, his major publications include Western Yorubaland under European Rule, 1889-. 1945, A Comparative Analysis of French and British Colonialism and Partitioned Africans: Ethnic Relations Across Africa’s International Boundaries, 1884-1984. Prof. Asiwaju has worked extensively on African boundaries – a foremost authority and consultant to many organisations, including the United Nations. Prof. Asiwaju was celebrated in 2021 with his new publications titled Bridging African Boundaries: Cross-Border Areas and Regional Integration in Comparative History and Policy Advocacy at the University of Lagos. May you continue to remain ageless.

          The third discussant, Prof. Akinkunmi Alao, is my childhood friend. We started together as undergraduate students at the Department of History at the University of Ife in 1978. His major works focus on the Demographic Consequences of the Owu War, 1821-1825, as well as Nigeria’s history and Legal History. For anyone who is interested in an authoritative account of the Yoruba legal system and the jurisprudence of late Chief Justice Adetokunbo Ademola (1906-1993), he remains a foremost expert. Akinkunmi Alao is no doubt following in the footsteps of the leading legal historian, Prof. Omoniyi Adewoye. Akin Alao is also an expert on Nigeria’s tangible and intangible cultural heritage.

          Above all, I dedicate this lecture to four exceptional scholars. The first is the late Professor Isaac Adeagbo Akinjogbin, the greatest teacher of all times, the Herodotus of Yoruba history, and the great author of three major publications. One, Dahomey and its Neighbours, 1708-1818 (Cambridge University Press, 1967). He taught me the rudiments of Yoruba History. It was through his research that we learned what we know today about Yoruba history. It was Prof. Akinjogbin who discovered in the Dutch Records that Alaafin Abiodun joined his ancestors in 1789. Prof. I.A. Akinjogbin, in 1986, also organised a National Conference on War and Peace in Yorubaland, 1793-1893 at the Department of History, University of Ife (now Obafemi Awolowo University). The Conference Proceedings was eventually published as an edited volume titled War and Peace in Yorubaland, 1793-1893 (Ibadan: Heinemann Educational Books (Nigeria PLC, 1998). Both Akin Alao and my humble self have chapter contributions. The third major publication of Late Prof. Akinjogbin was Ife: The Cradle of a Race (Port Harcourt: Sunray Publications Ltd, 1992)

          The second person is the great scholar of Yoruba history and immediate past Alaafin of Oyo, Oba (Dr.) Lamidi Olayiwola Atanda Adeyemi III, a custodian of Yoruba history and the man who also immersed me in the history of the Oyo people. In 2018, the Centre for Black Culture and International Understanding, Osogbo, organised a three-day conference on the institution of Alaafin titled Alaafin in Yoruba History, Culture, and Political Power Relations. We came up with major recommendations. We have published two editions of the conference proceedings titled Oyo: History, Tradition and Royalty (Ibadan: Ibadan University Press, 2021) and The Royal Institution in Yoruba Tradition and Popular Culture (Ibadan: John Archers Publishers, 2021). The third volume Imperial Oyo: History, Culture and Tradition consists of 73 chapters including chapter contribution by Alaafin Lamidi Olayiwola Adeyemi III. We are seeking funds to publish the work.

The third person is Emeritus Professor Toyin Falola, who is a mentor of mentors, a teacher of teachers, and a restless scholar without borders. Prof. Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin. The man I pleaded with to stop writing or reduce the scope of his work but he told me that if he stopped working, he would die. Since I don’t want him to die now, I have been praying for him to remain strong and healthy. He is a long-distance runner with a phenomenal pace. He is also a well decorated organic scholar.

The fourth scholar is Professor Akinwumi Ogundiran, a world-renowned Archaeologist who has worked for over twenty years on the Archaeology of Alaafin’s Legacy and Heritage, the Archaeology of Upper Osun and Ede-Ile, and the author of the latest publication on Yoruba History The Yoruba: A New History (Indianna: Indianna University Press, 2020).

Introduction: The Antiquity and Legacies of Oyo Kingship Institution

The Kingdom of Oyo was one of the most prominent, powerful, and largest Yoruba kingdoms before the 19th Century.[i] According to traditions, the kingdom was founded by Oranmiyan/Oranyan – a grandson or the youngest child of Oduduwa, the acclaimed eponymous father of the Yoruba people, around the 13th century. Oranmiyan was also regarded as the progenitor of the Eweka Dynasty of Benin Kingdom, which was founded earlier in the 12th century.[ii] Oranmiyan founded the Oyo Kingdom when he failed to defeat the states to the North of Ile-Ife upon his frustrating return from Benin, to where he was seconded as a ruler by Oduduwa. Oyo, the main domain of the Alaafin today, is one of the Yoruba towns in South-western Nigeria. It is situated in an open country fifty-five kilometres north of Ibadan, the capital of the present Oyo State of Nigeria. The Old Oyo (Where the Oyo people settled before they moved to the present site) was situated some thirty-three kilometres to the North and is of great interest to historians and archaeologists.

The ancient capital of the old Oyo kingdom occupies a conspicuous place in Nigerian and African History. This was prominent in works written by colonial officials and historians and, lately, by contemporary African historians. From 1650 to 1750 which marked the Zenith of Oyo Empire, the territory was presented in oral traditions as covering the territories between the eastern Niger River and the western Volta River. At this time, the Oyo Empire was the most prominent and powerful of all early Yoruba entities. At its height, the empire of Oyo covered a huge area bounded to the north by current northern Nigeria, to the east by Benin, to the west by the frontier of the modern Republic of Togo and to the South by the Mangrove swamp and lagoons that form a barrier between the seas and the interior.

The Oyo Empire was a dominant military power in West Africa, particularly through its well-organised cavalry system. The introduction of horses gave the Oyo military a significant advantage in warfare, enabling territorial expansion and control over key trade routes. Strategic alliances with neighbouring states, including the Wasangari, Mossi, and Mande, strengthened the empire’s position against external threats like the Nupe militarists. Through effective military campaigns, the Alaafin and his generals secured Oyo’s dominance over vast territories, from northern Yoruba regions to parts of modern Benin and Togo Republics. The empire’s military strength not only protected its people but also ensured stability and prosperity within its borders. Horsemanship in the history of Oyo has been traced to the period of Oranmiyan. There is also evidence in the Benin traditions that Oranmiyan brought the first horse to Benin. The third Alaafin of Oyo, Sango, was also associated with horses. Wooden sculptures of horses are usually carved for the cult of Sango. The implication of the introduction of horses in warfare was far beyond the military revolution for the pre-colonial Yoruba people. For them, it was a guarantee that the military might of Oyo was there to protect the borders of the Yoruba and keep the people safe against external invaders. The failure of the Oyo military machine was the beginning of the crisis in Yorubaland.    

The Alaafin presided over one of the most prosperous economies in pre-colonial West Africa. The Oyo Empire was a key commercial hub, fostering trade networks that connected the region with Mali, Kanem-Bornu, and the trans-Saharan trade routes. The empire thrived on the exchange of goods such as cotton textiles, iron tools, pottery, and horses. The economic foundation of the Oyo Empire was built on trade, agriculture, and local industries. The Oyo indigo cloth gained a reputation for superior quality, leading to its demand across the West African region. Women played a central role in the economy as potters, weavers, and traders, demonstrating the inclusive nature of Oyo’s economic system. Additionally, the iron industry flourished under the Alaafin’s rule. Large-scale iron production centres were strategically located outside urban centres to manage pollution, showcasing the early environmental planning within the empire. This industry supported agriculture, warfare, and trade, strengthening Oyo’s economic dominance.

The Alaafin was more than a political and military leader; he was also the spiritual and cultural custodian of the Yoruba people. Oyo was a melting pot of diverse cultures, where inclusivity was a hallmark of its social fabric. The expansion of the empire facilitated the spread of Yoruba traditions, language, and religious practices across West Africa. The Alaafin’s reign was deeply intertwined with cultural preservation and innovation. Oyo was a multicultural society, welcoming diverse ethnic groups and integrating them into its administrative and military structures. This inclusivity fostered a strong national identity and social cohesion. Oyo’s expansion led to the spread of Yoruba culture, language, and traditions across West Africa. One of the most enduring cultural influences is the Sango worship tradition, with Sango being a deified Alaafin. His legacy continues to be celebrated in Yoruba religion and festivals worldwide. The Alaafin also oversaw urban planning and environmental management. The capital city, Oyo-Ile, was carefully designed with water management systems, demonstrating advanced engineering skills. The use of baobab trees as markers of Oyo settlements highlights an intentional approach to ecological adaptation and landscape modification.

Hence, the imperial majesty of the Alaafin was neither limited to the grandeur of his palace, which made him the owner of the palace nor to the splendour of the capital; the majesty of the Alaafin covered the vast imperial space he controlled. His power was both divine and secular. The sacredness of his power was derived from the ancestral link and the sacred powers of the deities he represented, as well as the series of coronation rituals that transformed him into a higher being. His secular authority was derived from the public acceptance as divinely sanctioned.

The Alaafin’s legacy is preserved in historical sites like Old Oyo National Park, which serves as a reminder of the empire’s grandeur. Archaeological excavations by African scholars such as Professor Akin Ogundiran of North-western University, U.S.A., have uncovered evidence of urbanisation, trade, and governance, further emphasising Oyo’s historical significance. Alaafin remains an important figure in traditional leadership and cultural preservation. Despite the decline of the empire in the 19th century due to internal conflicts and external pressures, the institution of the Alaafin continues to shape Yoruba identity and influence contemporary governance in Nigeria. Many politicians and leaders seek Alaafin’s counsel, which reflects the continued relevance of this institution.

CONTEMPORARY & PIVOTAL ISSUES IN THE HISTORY OF OLD OYO EMPIRE

Oranmiyan Factor: Towards Sustainable Unity in Yorubaland

          The construction of heroes is one of the distinguishing features of Yoruba people. From the family perspective, the concept of alajobi is sacred and used to construct unity among nuclear and extended family members. In the societal space, alale-ile is used to build communal relations and unity among various groups. This practice permeates Yoruba socio-economic and political frameworks. In the larger space of Yorubaland, Oranmiyan is an important hero in Yoruba and Oyo History. In the context of Oyo history, Oranmiyan was the son or grandson of Oduduwa, the eponymous father of the Yoruba race. After the death of Oduduwa, his children shared his properties. While his brothers inherited all material properties such as money, wives, beads, garments and crowns, the only property left for Oranmiyan, who was reported to have been on a military expedition, was land. Oranmiyan is described as a mighty hunter, a man with great physical strength and a conqueror. One of Oranmiyan’s greatest qualities was his administrative, political, and diplomatic ingenuity.

Oranmiyan’s heroic identity is not only restricted to Oyo and Ile-Ife. His influence cut across four dynasties. At various times in the history of the Yoruba, he was a ruler at Ife, Benin, Oyo and Oko. The traditional ruler of Osile (Oke-Ona Egba) in present-day Abeokuta, Ogun State, Nigeria, bears the title Oranmiyan. In Benin, Oranmiyan was the founder of the present Eweka dynasty of “Ile-Ibinu” (land of vexation and anger), which was contracted to ‘Benin.’ The Benin oral tradition speaks of the vacant throne and the request by the ‘Bini’ elders that a prince be sent from Uhe (Ife) kingdom after the collapse of the Ogiso dynasty. Oranmiyan left Benin because of the hostility he met with the people. He, however, instructed that the elders should allow his son, Eweka, whom he had through Edo woman, to rule in his stead. Eweka became the ancestor and first Oba of Benin in the lineage of Oranmiyan.

In the aftermath of the ‘Bini’ episode, Oranmiyan journeyed northwards to establish another kingdom at the bend of River Niger. This kingdom was called Oyo. Leaving his family and party behind, Oranmiyan finally returned to Ile-Ife, where he died. In another narration, Oranmiyan was said to have died at Oko, a new settlement he founded after Oyo. It was from Oko that his body was moved to Ile-Ife in line with the Yoruba adage “Ori Ade ki sun ta” (A Crowned head never dies nor gets buried outside his domain). The Opa Oranmiyan is one of the tangible cultural heritage items in Yorubaland, and it was raised in Oranmiyan’s tomb. All the dynasties that had connections with Oranmiyan rose to prominence and their exploits are well documented in history.

The contributions of Oranmiyan to Yoruba and Oyo history are a testament to various forms of collective nostalgia. In Ile-Ife, Oranmiyan is remembered through the Oranmiyan festival inaugurated in 2013. The festival is a cultural rebirth that rallies all Yoruba nations to promote the heritage of their forebears. Also, among the Oyo, Oranmiyan is celebrated via the annual event Oranyan festival. Oranyan festival in Oyo comes with different cultural performances by masquerades such as Oya Ile Akiodi, Pekepeke, and Mogba, among others; the Akunyungba performance by wives of the Alaafin; the wearing of Ade Sesefun, which was worn by Oba Lamidi Adeyemi III, during the 2017 Oranyan festival. In Benin, Oranmiyan is highly regarded within the cultural space. The Ugie-Odudua Festival – a 14-day indoor and outdoor festival that reportedly started in 1504 during the reign of Oba Esigie, is used to mark the remembrance of the return of Oranmiyan, son of Oduduwa to his ancestral land of Benin kingdom.

Hence, as Oranmiyan holds a very pivotal role in history, particularly among the Yoruba, HIM Majesty Oba Akeem Owoade must imbibe the spirit of Oranmiyan – a spirit of collectivity, unity and leadership role. Oba Lamidi Olayiwola described the position of Oranmiyan and lessons from his heroic deeds thus: “The archetypal monarchy embroidered with central authority was a product of the wizardry of Oranyan, who left the cradle of Yoruba consciousness to create a system of government whose effectiveness, creativity, relevance, suitability and appropriateness are not in doubt even in contemporary Nigeria…It also calls attention to Yoruba’s contribution to civilisation as empire builders long before the dawn of political sophistication in other parts of the world. It goes beyond mere celebration and veneration of our heroes past, but lubricating the tunnels of harmony, ignite the touch of unity and fester peace among the Yoruba race.”

Knowing History: Oyo Monarchy, Constitutional Crisis and the Institution of Alaafin

          The Alaafin of Oyo embodies legacies of good governance, military strategy, economic prosperity, and cultural revolution. The institution of the Alaafin, originating from the Oyo Empire, has played a pivotal role in shaping Yoruba civilisation and continues to exert influence in modern leadership. This lecture explores the far-reaching impact of the Alaafin, both historically and in contemporary society, highlighting the significance of this revered institution. One of the most enduring institutions of kingship in the history of Africa is the institution of the Alaafin. The institution has performed historically significant traditional leadership roles in Yoruba and African history. Since the pre-colonial period, the institution of the Alaafin has not only been traditionally significant, but also remained relevant to the growth and development of the Yoruba. The Alaafin’s governance was underpinned by a structured political system that combined monarchy with a well-balanced system of administration. The Oyomesi, a council of chiefs, served as advisors to the Alaafin, ensuring a consultative form of governance that prevented absolute rule. This political model was pioneered in West African administration and influenced governance structures across the region.

Constitutional crises have been one of the recurring themes in Oyo’s history. Prior to the fall of the Oyo Empire, the activity of Basorun Gaa in Oyo’s history is a detailed example of the disruptive nature of dictatorial leadership. The constitutional crisis contributed to the weakening of the empire and remains a factor that contributed to its collapse.

The selection process for Alaafin’s stool has been known to be competitive in history. At the establishment of the new Oyo after the collapse of the empire in 1837, the death of Alaafin Atiba witnessed a constitutional crisis over succession. At Old Oyo, the kingship rotated in different segments of the ruling lineage. When a monarch died, his eldest son and his leading officials who shared office with him died with him. His other children usually retired into exile to seek adventure and await their turn. However, political events between 1858 and 1860 witnessed constitutional turmoil as Alaafin Atiba, confronted with the realities of succession, opted for his son – Adelu, to succeed him. Atiba’s decision was shaped by the effects of the Oyo civil war, in which several lineages from Old Oyo could begin to claim the throne as the children of Oja, whose father founded the present location of Oyo. Adelu’s succession was the first time Oyo witnessed the direct succession of the Alaafin prince. Alaafin Atiba was able to secure Ibadan’s support for the decision. Ibadan warlords and rulers organised a conference in a small town – Alabaja- where necessary decisions were made to provide Adelu with the diplomatic and administrative support needed to succeed Atiba. However, the decision did not go unchallenged. Aare-Ona-Kakanfo Kurunmi of Ijaye refused to recognise Alaafin Adelu and emphasised that Adelu should accompany his father as tradition demanded. The outcome of this constitutional crisis led to the Ibadan-Ijaye war from 1858-1862.

Also, Oba Lamidi Adeyemi III, whose emergence as the new Alaafin, was not without contest among other princes in Oyo. Records revealed that numerous princes made their interests known and contested for the throne. Existing records indicated that the process of selection started in 1968 after the death of Oba Gbadegesin Ladigbolu. A total of ten candidates from the Alowolodu house, the ruling house whose turn it was to present candidates for the stool contested for the throne of Alaafin. However, after due consideration, Lamidi Olayiwola Adeyemi III was selected. Despite the controversies that trail the selection of Alaafin, the major concern lies in the Yoruba maxim that Oyo o gbodo baje. The need to uphold the kingship institution, its practices, palace culture, and traditions must be the top priority agenda. This task requires a multi-stakeholder approach, which involves establishing the framework of unity towards a greater Oyo and Yorubaland in harmony and peace. It is the responsibility of HIM, Oba Akeem Owoade, to address and provide the leadership and governance architecture needed to ensure that unity is prioritised over personal gains and interests.

Preservation of Sango Heritage: Alaafin is Sango, Sango is Alaafin Sango worship is very central to the institution of Alaafin. Sango is Alaafin, Alaafin is Sango. Sango owns the Apeere (stool) of the Alaafin. Consequently, any Alaafin must prioritise the worship of Sango and propitiate it in line with extant traditions and norms. It is gratifying to note that Iku Baba Yeye, Alaafin Akeem Owoade, was crowned the Sango crown on the 29th March 2025, the chief priest of Sango. Hence, one of the important tasks for his HIM, Oba Akeem Owoade, lies in the preservation of the Sango festival and other Oyo cultural heritage. The Alaafin is a cultural ambassador to the Yoruba people both at home and abroad. Indeed, it is an important observation that Alaafin Adeyemi’s commitment to Sango worship and festival over the years bore the desired fruits between Monday 4 to Saturday 9 December 2023 at the 18th session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage, which took place in Kasane, Republic of Botswana adopted Oyo Sango Festival as a World Heritage Site. We acknowledge the contributions of Alaafin Adeyemi III, the Alaafin Cultural Advisor, Dr Paula Gomez and the Oyo State Government under His Excellency Engineer Seyi Makinde to the realisation of the cultural feat. Alaafin, Oba Akeem Owoade must understand the importance of Sango and its preservation, all of which are integral components of Yoruba identity. Like his predecessor, the new Alaafin must embody culture and be proudly associated with Isese. This legacy must be preserved and sustained by the current Alaafin.


 

 

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HUMBOLDT UNIVERSITY/CBCIU HOST LECTURE SERIES

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HUMBOLDT UNIVERSITY/CBCIU HOST LECTURE SERIES

On Wednesday, 19th March, 2025, the Centre for Black Culture and International Understanding (CBCIU), in partnership with the Humboldt-Universitat Zu Berlin organised a lecture which was delivered by Susanne Gehrmann, Professor of African Literatures and Cultures, Humboldt-Universitat in Berlin, the lecture titled Cross-Connections between Nigeria and Negritude in the Decades of Decolonization: Exploring and Translating the Archives of Black Orpheus explored the cross-connections between Nigerian writers and acadenics and their Negritude colleagues in the development of literary and political discourse and also spread of decolonizing agendas in the colonial and postcolonial periods.

The lecture shed light on the Janheinz Jahn archive domiciled in the Humboldt University and some of its collections which include letters from well over 600 writers from across the world. Dr. Gehrmann noted that translations of these letters which are mostly in German are ongoing through a trilateral research linkage partnership based at Universities in Berlin, Ibadan and Bordeaux that include herself, Prof. Aderemi Raji-Oyelade and Prof. Sylvere Mbondobari.

In her lecture, she shared the idea of a forthcoming conference in Berlin later in July to foster exchange of ideas and academic collaboration to explore the founding of Black Orpheus journal and the sort of continuities and ruptures that existed with other magazines such as Orphee noir and Schwarzer Orpheus which could be traced through archival materials in Ibadan and Berlin. The hybrid event welcomed notable figures such as Chief Muraina Oyelami, Prof. Dr. Aderemi Raji-Oyelade; Prof. Remi Raji-Oyelade; Dr. Sophia-Kathrine Haruna; Dr. Toluwalope Orotoye; Mr. Joseph Aworeni, Curator of the National Commission for Museums (NCMM) and Monuments and other Staff Members of NCMM; Staff Members from the National Gallery of Arts, Osogbo; Omooba Wale Olayemi; Engr. Bolaji; Okunade; Mr. Stephen Oni, Okunade Ibrahim; Adesina Sikirulahi; Mr. Adebayo Adeyele, Basheer Afeez Adeyemi, Oyewole Taofeek; Bashir M. Omotayo and all Members of Staff of the Centre for Black Culture and International Understanding, among others.

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CBCIU/PARTNERS HOST INTERNATIONAL COLLOQUIUM IN HONOUR OF PRINCE (DR.) OYIN ADEJOBI

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CBCIU/PARTNERS HOST INTERNATIONAL COLLOQUIUM IN HONOUR OF PRINCE (DR.) OYIN ADEJOBI

On Wednesday, 18 December, 2024, the Centre for Black Culture and International Understanding (CBCIU), in partnership with the Department of Theatre Arts, Osun State University, Osogbo and Redeemer’s University, Ede, organised an International Colloquium to celebrate the life, legacy, and profound influence of the iconic theatre arts practitioner, Prince (Dr.) Oyin Adejobi. The event honoured a man whose artistic genius sparked cultural awareness and transformed the landscape of Yoruba theatre in Nigeria.

In his Welcome Address, Director of the CBCIU, Professor Siyan Oyeweso, highlighted that Oyin Adejobi was more than an actor, a visionary, cultural custodian and a storyteller whose work transcended Nigeria’s borders, leaving a lasting imprint on the global stage.

“Through his celebrated plays such as Orogun Adedigba and Kootu Ashipa, Adejobi brought Yoruba folklore, ethics, and worldview to life, illustrating the complexities of traditional values and the human experience. His seamless blending of entertainment with moral lessons resonated deeply with audiences, ranging from grassroots communities, academic to the elites,” Oyeweso noted.

The Director further emphasized that Adejobi’s works were among the pioneering voices that elevated African theatre, inspiring many to explore the richness of African oral traditions and performance arts.

“His emphasis on communal values, social justice, and personal integrity remains highly relevant in today’s world, where the interplay of tradition and modernity continues to evolve.”

The Chairman of the event, Chief Fakayode Faniyi, the Agbongbon Awo of Osogbo, reflected on the impact of Adejobi’s film, Kootu Ashipa and the resonant song “Olorun maje ki ari ejo, ati ebi, ati are, Olorun maje ki ari ejo.” He also praised Adejobi’s collaboration with similar playwright, Chief Duro Ladipo, in promoting the cultural heritage of Osogbo through their artistic talents.

The Lead Speaker, Professor Gbemisola Adeoti of Obafemi Awolowo University, Ile Ife, described Adejobi’s work as a form of cultural resistance. He emphasized that the story of Nollywood and African Theatre cannot be fully told without acknowledging the contributions of Prince Oyin Adejobi. Professor Adeoti elaborated on the significant role Adejobi’s songs and lyrics played in enhancing the emotional and cultural depth of his films.

The colloquium also featured five academic lectures by distinguished scholars, including Dr. Azeez Akinwumi Sesan, Head of the Department of Theatre Arts, Osun State University, Osogbo; Dr. Yinka Olarinmoye of Lagos State University, Ojo; Dr. Rantinmi Julius Adeoye, Head of the Department of Theatre Arts, Redeemer’s University, Ede; Mr. Fatai Adekunle, former Curator of National Commission for Museums and Monuments, Osogbo; and Dr. Yemi Atanda of the Department of Theatre Arts, Osun State University, Osogbo.

Goodwill messages were delivered by members of the late Prince Oyin Adejobi’s family, including Dr. Adeleke, Librarian of Redeemer’s University, Ede; Barrister Matthew Omolade of the Federal Polytechnic, Ede; and Dr. Christopher Oyewo of the Department of Theatre Arts, Osun State University, Osogbo.

The colloquium was graced by prominent figures such as Mrs. Yemisi Adejobi, wife of late Prince Oyin Adejobi; Princess Adejoke Oyin-Adejobi, his daughter; Mr. Bola Oyin-Adejob, his son; Aramide Ogunrinde, his maternal grandchild; Mrs. Toyosi Adesanya; Professor Ahmed Yerima, Deputy Vice-Chancellor of Redeemer’s University, Ede; Chief Ayanda Fadara Clarke; and Mrs. Shola Duro-Ladipo. Also present were Hon. (Comrade) Abodunrin, Education Secretary of Osogbo Local Education Authority; Mr. M.A.O. Aluko, Local Inspector of Education; staff members of the National Commission for Museums and Monuments, Osun State; members of the New Sacred Art of Osogbo founded by the late Susanne Wenger; Mr. Samuel Adodo of the Nigerian Art Gallery; and Stephen Oni, among others.

The event was also attended virtually, including notable figures such as Professor Duro Oni, Professor Gbenga Fasiku, Professor Remi Ajibewa, Yinka Diamond, Omotunde Koleoso, and Afolorunso Dairo, among others. Students from the Department of Theatre Arts, Redeemer’s University, Ede and Osun State University, Osogbo, as well as students from Secondary schools in Osogbo such as Moslem Grammar School, AUD School, CAC Isale-Ijebu and Salvation Army School, were also in attendance

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Donald Trump Presidency: Implications for Africa, African Diaspora and World Peace

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Donald Trump Presidency: Implications for Africa, African Diaspora and World Peace

On Wednesday, December 4, 2024, the Centre for Black Culture and International Understanding, Osogbo, in partnership with the Department of Political Science, Fountain University, Osogbo, organised a webinar on the Donald Trump Presidency.  

The webinar welcomed presentations by renowned international scholars whose topics were woven around the theme: Donald Trump Presidency: Implications for Africa, African Diaspora and World Peace. Some of the scholars who read papers at the webinar include Prof. Femi Mimiko, a Professor of Comparative Economy and International Relations in the Department of Political Science, Obafemi Awolowo University, Dr. Dapo Thomas of the Department of History and International Studies, Lagos State University, Ojo and Dr. A.F. Raji of the Department of Political Science, Fountain University, Osogbo.

Others include Dr. Temitope Fagunwa of the Department of History and International Studies, Osun State University, Osogbo, Mr. Mojeed Animashaun of the Department of Political Science, Fountain University, Osogbo and Omooba Wale Olayemi, a veteran journalist.

Physically present at the event were the Head of Political Science, Fountain University, Osogbo, Dr. Olatunji; pioneer coordinator of the Department of History and International Studies, Fountain University, Osogbo, Mrs. Suliyat Mohammad; staff and students of the Departments of Political Science and History & International Studies, Fountain University, Osogbo; staff of the National Gallery of Arts lead by Mr. Adodo Sunday, staff of the National Commission for Museums and Monuments, Osogbo; participants who joined virtually such as Dr. Monsuru Muritala, Dr. Rotimi Alaba Oti, Funmi Ogundare, Adodo Adekunle, Alhaji Rafiu Ayanloye, Adeyemi Emmanuel, Mariam Oluwafisayomi Bello, Felix Ayoola, Layeni Hakeem, Olakunle Makinde, Olawale Yemisi, Oyeleye Oyewale, Stephen Bolaji among others. The webinar was held to identify the challenges and impact of Donald Trump’s second presidency on the African continent, the African diaspora and also global peace. One key recommendation and take away from the webinar is that Africa should begin to look inwards and identify internal solutions to it’s myriad of challenges

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2024 SANGO FESTIVAL IN CELEBRATING DURO LADIPO IN PARTNERSHIP WITH OYO STATE GOVERNMENT

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2024 SANGO FESTIVAL IN CELEBRATING DURO LADIPO IN PARTNERSHIP WITH OYO STATE GOVERNMENT

On August 18, 2024, the CBCIU partnered with Oyo State Government to hold a symposium to honor, the late theatre icon, Duro Ladipo. The celebration was in recognition of his contributions to the portrayal of Sango through the arts.

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CBCIU Celebrate Professor Emeritus Wole Soyinka @ 90

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CBCIU Celebrate Professor Emeritus Wole Soyinka @ 90

On July 18, 2024, the Centre for Black Culture and International Understanding celebrate Professor Emeritus Wole Soyinka in recognition of his role as the first in sub-saharan African to win Nobel Prize in Literature. The Centre also recognizes his giant strides as a Nigerian playwright, novelist, poet and essayist in English Language. The theme of the International Colloquium is Wole Soyinka: Culture, Social Activism and Social Justice. The Speakers at the event are Prof. Tunji Azeez from Lagos State University; Prof. Sunday Ododo FNAL; Prof. Olaoluwa Senayon, University of Ibadan; Prof. Sola Olorunyomi, University of Ibadan; Dr. Abiodun Olayiwola, Obafemi Awolowo University and Dr. Yusuf Abdulganiyu Aderemi, Fountain University.

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CBCIU to Celebrate Professor Emeritus Wole Soyinka @ 90

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CBCIU to Celebrate Professor Emeritus Wole Soyinka @ 90

The Centre for Black Culture and International Understanding is celebrating Professor Wole Soyinka in recognition of his role as the first in sub-saharan African to win the prize of Nobel Prize in Literature.  The Centre also recognizes his giant strides as a Nigerian playwright, novelist, poet and essayist in English Language.

The International Colloquium is scheduled to hold as follows:

Date: Thursday, July 18, 2024

Time: 11:00a.m.

Venue: Ulli Beier Hall, Centre for Black Culture and International Understanding, behind Osun State Secretariat, along CBN/NTA Axis, Osogbo, Osun State

Zoom link:

https://us05web.zoom.us/j/8408620236?pwd=oeBSodqjB5iavaxMY656F8qCwe5QQW.1&omn=85973542397

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Communique at the end of the 2024 Centre for Black Culture and International Understanding Black History MONTH

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Communique at the end of the 2024 Centre for Black Culture and International Understanding Black History MONTH

01 March, 2024

Every February, Black History Month (BHM) is celebrated to reflect on the history, stories, and contributions of Blacks across the globe and in different fields. On 27th February 2024, the Centre for Black Culture and International Understanding (CBCIU), Osun State, observed the 2024 Black History Month (BHM) titled “The Art of Blackness” in accordance with the global theme that focuses on “African Americans and the Arts.”

The Centre for Black Culture and International Understanding theme “Art of Blackness” focused on the diverse aspect of Art by focusing on African Visual Arts, Films and Music, which are essential to blacks identity across various epochs of African history as we reflect on the legacies and achievement of generations of the past, and the events of the presents. As the CBCIU community gathers to commemorate Black History Month, The CBCIU-BHM panel also had in attendance Dr. Oluwafunminiyi Raheem (Osun State University, Osogbo), Olawale Yemisi (University of Ilorin, Kwara State) Dr. Mojeed Animashaun (Fountain University, Osogbo), and Dr. Charles Omotayo (Adeyemi Federal University of Education, Ondo).

The lecture under the auspices of the Chairman, Board of Trustees, Chief Olagunsoye and the Executive Director of CBCIU, Professor Siyan Oyeweso.

At the end of the lecture, the following observations were made at the lecture:

  1. African visual arts cover a rich and diverse range of traditions, styles, and techniques that diverge across different regions and cultures of Africa
  2. Although globalisation has fostered greater appreciation and understanding of black cultural contributions, it has sparked deeper conversations about cultural appropriation and representation.
  3. Films are an essential aspect of African Art that has continued to contribute deeper meaning to the identity of Africa.
  4. African films must focus on reengineering their content and approach, presenting Africa’s history and identity in global space as a force to reckon with. 
  5. African governmental and non-governmental institutions in the field of Art must focus on investing in African Artists through the provision of sustainable and accessible finance, the provision of infrastructure and platforms for international engagements and collaborations.
  6. African music remains a powerful representation of the Blacks’ identity across various epochs. Hence, appropriate attention to the music field will situate African identity and contributions to global affairs

At the end of the lecture, the following reductions were made:

  • The delegate led by 𝐂𝐡𝐢𝐞𝐟 𝐅𝐚𝐧𝐢𝐲𝐢 𝐅𝐚𝐤𝐚𝐲𝐨𝐝𝐞, 𝐀𝐠𝐛𝐨𝐧𝐠𝐛𝐨 𝐀𝐰𝐨 𝐨𝐟 𝐎𝐬𝐨𝐠𝐛𝐨𝐥𝐚𝐧𝐝 reiterate the importance of films, Africa literature, poem, oral traditions as the basis of reconstructing the identity of Africans and Blacks globally
  • The delegate led 𝐌𝐫. 𝐀𝐝𝐨𝐝𝐨 𝐒𝐮𝐧𝐝𝐚𝐲 also emphasised the need for a change in the current narrative of the African music industry where content that promotes wisdom, knowledge and the African culture of Omoluabi are prioritised.
  • The Executive director of CBCIU also pledged its readiness to provide elders in African history and culture the opportunity to document important aspects of African identities fading away due to the effect of globalisation.

The CBCIU-BHM ended with closing remarks and a vote of thanks from the CBCIU Executive Director, Professor Siyan Oyeweso.

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CBCIU CELEBRATES 2024 BLACK HISTORY MONTH

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CBCIU CELEBRATES 2024 BLACK HISTORY MONTH

28 February, 2024

The Centre for Black Culture and International Understanding (CBCIU) today hosted the 2024 Black History Month (BHM) tagged The Art of Blackness in accordance with the global theme which focuses on “African Americans and the Arts.”

Prof. Siyan Oyeweso, Director, CBCIU during the delivery of his address

Chief Fakayode Faniyi during the delivery of his address as the Chairman of the Programme

The BHM welcomed four panelists in persons of Dr. Oluwafunminiyi W. Raheem (Osun State University), Dr. Mojeed Animashaun (Fountain University), Dr. Charles Omotayo (Adeyemi Federal University of Education) and Olawale Yemisi (University of Ilorin), who interrogated the place of visual arts, films, and music connected to black history, identity, and power relations with the Wider World.

Dr. Oluwafunminiyi W. Raheem

Dr. Charles Omotayo

Dr. Mojeed Animashaun

Yemisi Olawale

At the event were Curator, National Gallery of Art, Mr. Adodo Sunday and staff of the National Gallery of Art, Osogbo; Chief Faniyi Fakayode Agbongbo,Awo of Osogboland; Chief Mrs. Adedoyin Faniyi; Mr Fatai Adekunle, former Curator, National Commission for Museum and Monuments and staff of National Commission for Museum and Monuments; Omooba Wale Olayemi; Mr. Stephen Oni; students of the Department of Tourism and Department of Philosophy, Osun State University, Osogbo, and many others.

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CBCIU CELEBRATES FIFTY YEARS OF GERMANY IN THE UNITED NATIONS

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CBCIU CELEBRATES FIFTY YEARS OF GERMANY IN THE UNITED NATIONS

Theme: Fifty years of Germany’s involvement in the United Nations.

Date: Monday, 18 September, 2023

On Monday, 18 September, 2023, the Centre for Black Culture and International Understanding, Osogbo, organised an International Colloquium to celebrate fifty years of Germany’s involvement in the United Nations.

The Anniversary Remark was delivered by the Consul General, Consulate General of the Federal Republic of Germany, Lagos, Weert Borner LL.M, while the Welcome Address was given by the Director of the Centre, Prof. Siyan Oyeweso

Prof. Siyan Oyeweso, Director, CBCIU during the delivery of his welcome address

Weert Borner, Consul General of Germany during the delivery of his welcome address

The event was heralded with several paper presentations by renowned international scholars whose topics were woven around the theme, Fifty Years of Germany in the United Nations. Some of the scholars who read papers at the Colloquium include Prof. Femi Mimiko, a Professor of Comparative Economy and International Relations in the Department of Political Science, Obafemi Awolowo University. He spoke on the topic, Beyond the Narrowing Confines of the UN: Rethinking Germany’s Role in a Changing Global Order; Prof. Olutayo Adesina, Professor of History, University of Ibadan, who spoke on the topic, The Permanent Mission of the Federal Republic of Germany to the United Nations and the Shaping of a Conflict-Free Africa Agenda: A Historical Conjuncture; and Prof. Aderemi Ajala, Professor of African/Medical Anthropology and Development Studies, Department of Archaeology and Anthropology, University of Ibadan, who spoke on 50 Years of Germany’s Contributions to International Education in Nigeria.

Others include Dr. Muritala Monsuru of the Department of History and International Studies, University of Ibadan, on Germany and Refugees from the Arab World: Promoting Humanity and Integrating the Persecuted and Displaced; Dr. Dapo Thomas of the Department of History and International Studies, Lagos State University on Germany and the Price for Global Peace; and Dr. Oluwafunminiyi Raheem from the Osun State University who spoke on 50 Years of Strengthening the International Health Architecture: Examining Germany’s global vaccine initiative ACT-A in Africa.